>>
SEARCH >>
EN
>>
<<

SEARCH AGAIN

CATEGORY
 
DATE
  FROM:
  TO:
  EX: 1/30/2012
KEYWORD
 
  >> Search
2013.10.10 Thu, by

Glance: Softness Visible

“Darkness Visible” asked some sizeable questions around the already-prodigious theme of “darkness.” These dark visions were those of five Chinese and five American artists, co-curated by NAMOC curator Zhang Qing and New York-based Art in America editor Richard Vine. >> Read more
访谈, 2020.12.16 Wed, by

Ashley Bickerton
Seascapes At The End Of History

Born in Barbados in 1959, Ashley Bickerton had a peripatetic childhood across four continents, from Guyana to Ghana, on to the Balearic Islands and England, then finally Hawaii. His upbringing followed the career of his Anglo-American father, the eminent linguist Derek Bickerton, who researched creole languages and theorised on the formation of human language. >> Read more
访谈, 2020.04.23 Thu, by

Zhang Peili “The Annual Report of OCD”
Rén Space, Shanghai

This exhibition puts the artist on display, literally. From the inside out. You may never again have an opportunity to see so much of one individual laid bare before your eyes all at one time. >> Read more
访谈, 2020.03.07 Sat, by

Mira Dancy, France-Lise McGurn & Clare Woods
Simon Lee Gallery, New York

Simon Lee Gallery, New York, is pleased to announce a group exhibition featuring new works by Mira Dancy, France-Lise McGurn, and Clare Woods. Connected through an interest in figurative representation, the exhibition brings together three artists who present the body in unconventional ways, each exploring contemporary issues surrounding gender, sexuality, society and politics, as well as addressing the long and problematic history of the male gaze. The submissive female subject typically depicted reclining, seated or kneeling, is one of the most recognizable motifs in art history. As seen in this exhibition, Dancy, McGurn, and Woods respond to this convention through disparate methods presenting the figure as alternatively dominant, vulnerable, playful, or even androgynous, restoring to their subjects a sense of agency and recontextualizing the trope for our contemporary moment. >> Read more
访谈, 2020.02.08 Sat, by

Mira Dancy, France-Lise McGurn & Clare WoodsSimon Lee Gallery, New York

Simon Lee Gallery, New York, is pleased to announce a group exhibition featuring new works by Mira Dancy, France-Lise McGurn, and Clare Woods. Connected through an interest in figurative representation, the exhibition brings together three artists who present the body in unconventional ways, each exploring contemporary issues surrounding gender, sexuality, society and politics, as well as addressing the long and problematic history of the male gaze. >> Read more
访谈, 2018.06.23 Sat, by

ZANG KUNKUN and GUO-LIANG TANZANG
‘Etherial Machines’
Mai 36 Galerie and Ota Fine Arts, Shanghai

Mai 36 Galerie and Ota Fine Arts Shanghai are delighted to present Ethereal Machines, a dual exhibition that brings together Chinese artist Zang Kunkun and Singapore artist Guo-Liang Tan. >> Read more
访谈, 2018.05.03 Thu, by

JORDAN WOLFSON
‘Riverboat song’
David Zwirner, New York

David Zwirner is pleased to present the United States premiere of Jordan Wolfson’s most recent video work, Riverboat song (2017-2018). >> Read more
访谈, 2018.04.13 Fri, by

DOUG AITKEN
New Era
303 Gallery, New York

303 Gallery presents a new installation by Doug Aitken, titled New Era. >> Read more
访谈, 2018.03.20 Tue, by

Shared Narrative(s)
ShanghART Beijing S-Space

ShanghART S-Space is a special project space of ShanghART Gallery with no fixed space and time. S-Space will hold exhibitions for artists and curators in terms of different curatorial ideas. For this time, S-Space moves into ShanghART Beijing, it will present a group show “Shared Narrative(s)” curated by MIAO Zijin. >> Read more
访谈, 2018.02.06 Tue, by

Station Paradox

This exhibition is a dialogue between artists from Korea and from Berlin working with painting, video art, installation, and performance. >> Read more

Next Page »